Olivia Barone Editor in Chief  It may come as a surprise to some that titles of literary classics are more often recognized because of their film adaptations than their original novel. The resurgence of Mary Shelley’s 1818 classic “Frankenstein” via Guillermo del Toro’s 2025 film adaptation has brought with it an often-recycled debate: are film adaptations of literary classics beneficial or harmful to their source material?  Photo credits to anchor newspaper staff In the past

Kelcy Conroy  Managing Editor “The main takeaway is blurring the boundaries between history and science and arts.” RIC graphic design professor Nancy Bockbrader told the Anchor. History, science and the arts are blended in Bannister Gallery’s newest exhibition “The Galileo Project” with work from RIC art professors Doug Bosch and Richard Whitten. A reception for the exhibition took place Nov. 13 in the gallery. Photo credits: Carlos Caceres This exhibition’s planning began se

Roman Kavanagh Opinions Editor Guillermo del Toro’s “Frankenstein” (2025) is a forgiveness of sorts. A hopeful reimagining, the film both embraces and outgrows its Gothic roots. The film continues beyond the confines of the original story, to produce something that reflects how time has shaped Mary Shelley’s story into a cultural object of value to examine marginalization and the role of interpersonal connection beyond the bounds of its original framing. The science fiction f

William Fernandes Anchor Staff Writer I question myself daily about my future, and wonder What paths await me, the struggle to meet present goals, And the planning for what is to come excites me To worry now, as life unfolds, surprises and opportunities Yet untold, that speaks volumes Photo taken by William Fernandes Have courage, and don’t give up; hard work pays off, Those who achieve great things will go far, reach for the stars The possibilities are endless, buy a house,